Really I need to go to the library and dig in on this week's teaching stuff (chunks of Tristram Shandy and Rousseau's Confessions plus the inevitable pile of assignments to comment on), but I will close some tabs first. Busy week, but mercifully I was able to collapse at the end of it - did a spin class and hot yoga on Friday, and yesterday I had pretty much the ideal day of exercise: an hour of spinning at Chelsea Piers, an hour of restorative yoga and then eight miles in Prospect Park with L. (we are running the half-marathon in Philadelphia next week). Evenings at home are essential if I want to regain equilibrium, especially as I seem to have multiple nights out this coming week. Much novel-reading, too: in short, I feel finally back to normal for the first time all semester.
The McLeod collator.
Natasha Shapiro offers an amazing list of materials for making altered books.
Soothing light reading around the edges:
Luke Barr, Provence, 1970; Joshilyn Jackson's short story (a teaser for her new novel, for which I am very impatient) My Own Miraculous; Jo Nesbo, Police (over-ingenious in a "wink-wink" fashion in its plot twists, but gripping regardless); Helen Fielding, Bridget Jones: Mad About the Boy (I liked it much better than rather negative reviews would have led me to expect, though I thought Bridget's weight loss in the opening stretch of the book was implausibly easily accomplished!); Laurie King, Touchstone (rather static and artificial in its opening, though it picked up momentum as it went along - absurd in its premises!); Mira Grant, Parasite (an appealing novel of sapient tapeworms by an emergent genius of light reading). Also, my friend "Lilia"'s erotic SF story The Slave Catcher (very good - I would eagerly read a whole novel set in this world).
About halfway through The Goldfinch - lay on the couch for some hours last night reading with one cat draped over my stomach and the other cat flopped out next to my head. Mixed feelings about it (it's uneven), but the good parts are very good indeed.