Saturday, September 10, 2016

The dining-room table

I am long overdue a light reading update - I have a resolution to do that at least once a month going forward, otherwise the titles mount up so alarmingly that the task begins to seem overly Herculean - but this is really what I have been working on this month.  Working intensively on a new book project always feels like coming home; smaller or shorter things don't have that feeling of entering a real intellectual world, and my only regret is that I can't have one hemisphere of the brain working on Austen while the other works on Gibbon, which is also at the alluring early stage where everything seems possible and there are almost infinite amounts of appealing new material yet to be unearthed and assembled into some kind of a sensible narrative.

Each project asks for its own method - and its own combination of stationery and writing implements! - but this one is more colorful than the last few I've done.  I've already modified the plan from my proposal, and I currently intend to write the book - Reading Jane Austen, an installment in a new Cambridge series that began with Reading William Blake and continued with Reading John Keats - in eight chapters, coded by color here.  First I reread through the complete works plus biography and letters, marking up with a pen.  Then I set up the provisional topics for individual chapters - Letters, Conversation, Revision, Manners, Morals, Voice, Teeth (someone is going to make me change that title later I suspect! But basically, all the gruesome details of social history and ailments of the body that lurk around the edges in Austen's writing), Mourning and Melancholy.  Each one has its own page and a color-coded set of post-its, so that when I then went back through my marked-up volumes, I stuck a post-it to categorize points in the books and also transferred a cryptic notation under the appropriate heading, loosely organized on the page though certainly not rigorously so.

The next step will be to type up these notes in individual files, then to start working on the chapters - I like "pushing" a project in its entirety through from stage to stage, so I'll probably get all the notes typed up and only then start writing rather than taking chapters one at a time.  I had this in retrospect quite unrealistic fantasy that I could type up ALL THOSE NOTES (the book is only supposed to be about 60,000 words, not a long one) before I fly to Australia on Sept. 19, but that does not seem likely to happen - it would take more time and concentration than I probably have available to me in this coming week, which also features quite a few evening work engagements, to manage notes on a chapter-per-day basis.  That said, it is worth trying - or else B. will be wondering why I have brought a very heavy bookpack of work stuff on vacation with me, as once I get going on a job like this I really hate to put it aside before it's done!  (More sensibly, if I have "Letters" notes typed up I could work on drafting that chapter from notes, that wouldn't require bringing such a heavy load with me.)

1 comment:

  1. omg i love seeing pictures of yr notes etc!