Showing posts with label Ed Park. Show all posts
Showing posts with label Ed Park. Show all posts

Monday, November 10, 2014

Amazonia

More coverage of Ed Park's departure from Amazon:
Bezos’s last line of defense against the ire of the literati had been Park, the lone survivor of Amazon’s initial push into publishing of the big-time, hardcover variety. Three other promising hires out of “legacy” publishing, including former Time Warner Book Group CEO Larry Kirshbaum, all preceded him out the revolving door. In the intervening five years, genre books have done well — sometimes very well — over at Amazon’s West Coast operation, while big fiction and nonfiction have floundered, partly due to the bookstore boycott. Genres sell briskly as e-books, while the literary mid-list is still largely hand-sold in physical bookstores, so the Amazon authors hurt most of all by the lit world’s hostility are those it might like the most. Out of the earshot of the hosts, one agent at the party told me that for his kind of work, “Amazon is the publisher of last resort.”
When I signed a contract with Amazon for my last novel (Ed was my editor, and he was the most amazing person to work with obviously - he really should have been credited as a full-on collaborator, the book changed so much for the better as I worked for him!), a friend in publishing asked me, "But won't it be strange not to see your book in bookstores?" I had to say that it would not be much different from my previous experience with traditional publishers! My YA books, though they were published by HarperTeen, were not ordered by B&N and other chains, and had truly abysmal sales (the first one didn't clear the limit for republication in paper, so the sequel was released as if in all appearances it was a standalone, hardly surprising that readers found that frustrating). If you are a small midlist book at a traditional publisher and don't catch the world's attention particularly, it is not as though your book really will be in stores in any systematic way.

In general, I am really moving away from novel-writing: in any line of work, you will need to spend a good bit of time publicizing your own stuff and being out on the road, and it is really bad enough having to do that for ONE writing career let alone two. Increasingly sure, and happy about it, that I am a scholar and nonfiction writer in my heart of hearts - that said, future projects will include more crossover work a-la-Geoff Dyer (it is easier for me to force convergence between roles as professor of eighteenth-century British literature and author of literary nonfiction than to shoehorn in the novel-writing thing)....

Monday, July 16, 2012

Closing tabs

Amazing interview with Ed Park, who is basically currently serving as the angel on my shoulder coaxing me not to stop until the novel is as good as it possibly can be!  I have a slightly insane project now for the next week, which is to rewrite the final hundred pages in the first person and see if that solves various lingering difficulties...

In loosely related news, the perpetrator of the "'Encyclopedia' Brown" books has died.  (I do not endorse the punctuation of the series title in that obituary.)

Why Pauls Toutonghi uses a wireless keyboard when he writes.  (This piece and the interview with Ed both contain a good amount of useful advice for writers.)

Miscellaneous light reading around the edges: on the plane home, James Meek's forthcoming The Heart Broke In, which I enjoyed a good deal but which made me wonder how any author can stand to write in this present day and age a novel so thoroughly indebted to George Eliot in its basic approach (same slight problem with Franzen and Eugenides!); Deborah Harkness's Shadow of Night, which I am sorry to say I found much weaker and less enjoyable to read than the first installment (that first one fell on the right side of silly, but this one does not); Eva Ibbotson's One Dog and His Boy, which I loved though it is designed for younger readers than myself and which I will send on to my young nephew in Austin (it is sorrow-inducing to think of Eva Ibbotson and Diana Wynne Jones both being dead).  Halfway through Kurt Anderson's True Believers, which I like quite a bit (teen spies!) although it strikes me as a fact-checker's nightmare - and I am still not altogether convinced that the narrator is actually female....

Friday, July 24, 2009

The alternate Dewey Decimal System

Ed Park on invisible libraries (courtesy of Matthew B.):
In “The Haunter of the Dark” (1936), the unfortunate protagonist stumbles upon shelves of “mildewed, disintegrating books” — “the banned and dreaded repositories of equivocal secrets and immemorial formulae.” These include “a Latin version of the abhorred ‘Necronomicon,’ the sinister ‘Liber Ivonis,’ the infamous ‘Cultes des Goules’ of Comte d’Erlette, the ‘Unaussprechlichen Kulten’ of von Junzt, and old Ludvig Prinn’s hellish ‘De Vermis Mysteriis.’ ” The titular details — the sinister-looking double i’s in “Mysteriis,” the rebarbative German tag of von Junzt’s work — are arguably as chilling as the overwrought prose Lovecraft sometimes discharges.