Showing posts with label William Gibson. Show all posts
Showing posts with label William Gibson. Show all posts

Tuesday, April 23, 2013

Closing tabs

Brent Cox on William Gibson. (Via Alice.)

"We know when Dzhokhar Tsarnaev sleeps." (Via James Bridle.)

The shape of careers?

Eggs will pop soon!

At the intersection of my two blogs, but I found this post by Gordo Byrn thought-provoking. He lays out a minimal base fitness schedule that will let you do something crazy in triathlon after twelve weeks of training without wrecking yourself (2 x 20min strength, 3 runs at shorter of 5mi or 1hr, 3 bikes at 2 x 45 and 1 x 75, 3 swims at shorter of 1350 yards or 25min, for a total of a little over seven hours per week); I think there are close analogies in literary matters, which is to say that you need to do a certain amount of reading and writing every day and every week if you want to be able to call upon all your powers of composition intensely over a more sustained period of time - but huge output over the whole of life is not sustainable, and comes at the cost of too many other things. Worthwhile to think of maintaining base writing fitness even through times when a big writing project can't be a priority.

Monday, October 11, 2010

Light reading catch-up (travel edition)

Too much time in airports!

It was beautiful in Portland, Maine, though - I was there for a dear old friend's wedding, the weather was perfect and the foliage is brilliantly gorgeous already. There was a girl's night out on the Friday night at Local 188 and the wedding itself was held at the appropriately named Grace.

In the meantime I had had a nice little run along the waterfront and also what was almost certainly the most delicious pizza I have ever had, a slice of mashed-potato-bacon-scallion at Enzo on Congress Street.

I didn't have time to set up my new Kindle and charge it before I left, so on the way up I read Connie Willis's absolutely delightful Blackout (and the sequel/continuation is imminent, I have pre-ordered it, this is good) and a highly mediocre novel purchased at LaGuardia which I think is exactly the sort of thing which the Kindle in future will spare me.

Once I was at my hotel (which had a quite reasonably sized rectangular swimming pool, though I did not have time to swim in it!), I charged up the device and loaded eight or nine books onto it. Preliminary report: it is excellent in many respects, it will save me all sorts of anxiety about light reading supply (especially while traveling). It was a godsend this weekend, and it's awfully nice to have something so light to carry in the bag.

The downside: all three of the books I've read so far suffered slightly from being read on the Kindle as opposed to in the format of bound book. Stephen White's The Siege might partly just be a bit disorganized and/or badly written, but it uses a multiple time scheme (several different groups of characters followed over a few days' events, but the events presented out of order - i.e. "Saturday afternoon, "Friday morning") that I found much more disorienting without the visual orientation of flipping through pages and seeing headers, etc. Terry Pratchett's I Shall Wear Midnight is as delightful as all his Tiffany Aching novels, and features a good table of contents (with titled chapters) that helped me navigate when needed, but I found it so annoying to click on the footnotes and then have to press another button to go back to the main text (I just don't like anything that slows me down, that's the honest truth!) that I ended up skipping most of them. And Kristin Hersh's Rat Girl is a wonderfully compelling and worthwhile book, only I felt I must be missing all sorts of things to do with the layout of the page (quoted song lyrics, vignettes from childhood that seemed to be marked differently i.e. with central rather than full justification but that just looked muddled in Kindle format). Also, there's a giveaway on her website of all the music alluded to in the book for which one needs a word from a specific page of the book! Will have to go to a real bookstore and consult, I suppose...

More fundamentally, I feel that the Kindle will have a dangerous potential for me to feed a bottomless-maw version of fiction-reading. If input is so undifferentiated by the traditional printer's tools (typeface, margins, layout, choices about headers and format/size of book etc.), something is lost - I will definitely prefer a future device that keeps the old-fashioned structure of the page. The Kindle is in many respects a more powerful and indispensable tool for me than my various iPods (I haven't yet worked with a PDF file, but will look forward to seeing how it plays out in terms of ease of use), but it produces none of the salivatory longing that the Apple devices do - my first iPod was a revelation in a way that this device is not.

(An associative aside - Kristin Hersh's book is a useful corrective to the rather wish-fulfilling elements that have crept into William Gibson's version of the independent artist's life...)

Thursday, October 07, 2010

The Western tradition

Ah, it is such a luxury to be starting my morning with coffee and wireless internet! I forgot to write yesterday about what was probably the most interesting book I've read recently, William Gibson's Zero History, which I enjoyed very much but found not up to the standard of Pattern Recognition. Also enjoyed Andre Agassi's autobiography - both part of a book splurge at McNally Robinson last week. I finally have my Kindle in my hands, but have not yet opened the box and set it up - must do that before my Maine trip tomorrow...

Last night I had the perfect New York evening - my brother turned up at the loft where I'm staying (he is working as a carpenter on the Men in Black III production in Williamsburg, and the commute from Philadelphia means getting up at 4am and not getting home till 8pm, so he is going to try and ease things up by staying one or two nights a week in New York), we hung out for an hour, then G. and I went to see the very funny and apt Office Hours by A. R. Gurney at what is rapidly becoming my favorite small theater in Manhattan, The Flea. Young company The Bats are superb, and though the play is slight, I thought it was very well done; also, of course, as someone who has taught in Columbia's Literature Humanities program, I must be pretty much the exact/ideal target audience...

(And a delicious dinner afterwards at Petrarca: we shared piatto rustico to start [G.: "I never remember the food we eat, but I remember we had that before and how good it was!"], then I had a pizza with capers, anchovies and black olives and a specialty dessert of vanilla gelato with amarena cherries.)

Tonight I'm speaking on Clarissa and counterfactuals at the Fordham eighteenth-century seminar: should be fun...