In my ideal world, I live in a monastic cell with no housekeeping responsibilities and a divine disregard for all matters material. In practice, it is clear that at least every couple weeks, it is important to take a morning to catch up on business, alas. I haven't quite cleared the deck - I need to write a conference-paper abstract and put away some clean clothes - but I have usefully spent the morning doing things like consolidating large amounts of cardboard and taking it down to the recycling area (between Amazon, FreshDirect, etc. an extraordinary amount of packaging enters my apartment on a regular basis), booking catsitting for August travels, unpacking glassware from my adopted grandfather's house in NJ (soon to be sold - more boxes!), tidying up overflow triathlon bits and bobs, etc. etc.
Part of that kind of housekeeping is closing tabs here and logging light reading. Enjoyed Mira Grant's novella How Green This Land, How Blue This Sea and Ben Winters, Bedbugs (the latter didn't quite live up to the strength of its opening, and has given me a desire to reread Tana French's Broken Harbour - another recommendation in this vein is Kelly Link's strange and haunting story "Stone Animals.")
It has been a good week. It was my birthday on Sunday, and I saw a play I loved, Tarell Alvin McCraney's Choir Boy - amazing performances, and some of the best integration of music into a theatrical script that I have ever heard. An evening of cake and champagne afterwards with old friends and family: very nice indeed.
It's the time of year when various former students pass through town, and I've had lovely evenings with Adela and Wei, who was one of my very first students at Columbia (you can read his marathon-running guest post here) and whose beautiful wife and two-year-old son I was delighted to meet for the first time.
Last night, courtesy of Tanya (whose book is coming out soon - she answered some questions about it here), another extraordinary theatrical performance, really remarkable: Aurélia Thierrée's Murmurs.
At the beginning she is moving house, but then there are all sorts of other transformations, haunting and enchanting - amazing use of props and of a historically evocative set of circus and clowning techniques. My favorites were the transformations into anthropomorphic animals (a handbag that when A., kneeling, puts her head into it turns out to have eyes that make her into a cartoon quadruped, a suited man with an anteater head that has previously been seen in its incarnation as old-fashioned leather bellows), and also the phantom-limb dummy bits with real people as the dummies that seem to be alive - you can always see the seams of the illusion, but that doesn't make it any less uncanny. Here's another trailer for her previous show, which I don't see; and the amazing backstory of the performer's mother, co-creator of the show.
(On which note, I add that this is a book I read repeatedly as a child: it troubled me that under no stretch of the imagination could I imagine making a living as an acrobat, but I comforted myself with the fact that playing the clarinet in a circus band and taking care of performing animals would probably suffice in a pinch.)
I didn't quite hit the five-hour mark on my long ride yesterday, but almost - triathlon training is going well, if one concentrates on what one has accomplished rather than on omissions and shortcomings!
Miscellaneous linkage:
Friend and sometime catsitter Joanne McNeil on the Bradley Manning trial.
Two good links from B.: eradication of an enormous nest; telegraphic love!
How can you not want one of these as a pet? (Via Jane.)
For diagram purists, a New York City subway map in concentric circles.
Showing posts with label nests. Show all posts
Showing posts with label nests. Show all posts
Thursday, July 25, 2013
Running away to join the circus
Labels:
animals,
birthdays,
cake,
capybaras,
champagne,
circuses,
diagrams,
house and home,
imagination,
light reading,
maps,
nests,
packages,
semi-secret cabals,
telegraphic style,
theatergoing,
training
Sunday, November 16, 2008
CHICKEN CHICKEN
I cannot resist posting these paragraphs from Christopher Benfey's NYRB piece on several recent books about Robert Frost (subscribers only):
[I]n 1900, Frost found in raising chickens an occupation that gave him money, time, and a landscape ripe with metaphors for the poems he had begun to write late at night when his wife and children were sleeping. Elliott, the Frosts' first child, died of cholera during the summer of 1900. During the decade the Frosts spent on their thirty-acre farm in Derry, New Hampshire, the four surviving children, Lesley, Irma, Marjorie, and another son, Carol, roamed the rock-strewn countryside as freely as Frost's three hundred Wyandotte chickens.
"Most philosophers must have been raised on chicken farms," Sherwood Anderson wrote in his story "The Egg" (1920). "One unversed in such matters can have no notion of the many and tragic things that can happen to a chicken." It's clear from the eleven lively stories Frost published in the trade journals The Eastern Poultryman and Farm-Poultry, from 1903 to 1905, that he was imaginatively engaged by the tragic things that can happen to a chicken. In "Trap Nests," a couple new to chicken farming employ a device "intended to catch and hold the hen until she was willing to purchase freedom at the price of an egg." The trap nests "savor of vivisection and the Inquisition"; the city-bred farmer finds himself taking "a growing satisfaction in ruthlessness, for such, he felt, was life." In another story, a farmer's "first hatches were so exceptionally fine that the gods fell in love with them, and they died young."
Monday, October 06, 2008
The allure of eggs and nests

A nice piece at the Science Times that includes a good plug for what is undoubtedly one of the most lovely and fascinating books I have read for some time, Rosamond Purcell et al.'s Egg and Nest, which I first heard about at Gwenda's blog.
Miscellaneous other light reading: George R. R. Martin's The Armageddon Rag (very enjoyable, but not a patch on Lewis Shiner's extraordinary Glimpses); Cornelia Read's Field of Darkness; Joe Haldeman's The Accidental Time Machine (slight but pleasant); Neil Gaiman's Anansi Boys, an irresistible reread in preparation for The Graveyard Book (lovely, lovely writing); and Tana French's The Likeness, which I liked very much indeed.
Thumbs down on Pineapple Express. Thumbs up on the Mythbusters episode with the water heater rocket - this show is excellent, causing me to be ashamed of my near-total ignorance of the pleasures of television....
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