Showing posts with label obsession. Show all posts
Showing posts with label obsession. Show all posts

Wednesday, February 13, 2013

Catch-up

Fruit stencils! This is an amazing piece, very much worth clicking through to....

Snoozed alarm for too long this morning and am trying to gear up to get out the door for my run. It is supposed to snow again later, so that's a good incentive to get it done now. Afternoon of grad student appointments and a rather overdue haircut, so I am not sure I will get in a second session later, though I might go to 6:30 hot yoga if I'm done at the hair place in time. (I like having quite short hair, only it's high-maintenance, and it always makes me grumpy to give up an early-evening exercise session in order to be sheared!)

I'm 90% ready to dig in on proper revisions for the two things I'm working on this month, a long-delayed essay on particular detail and the novel and the final revisions on the style book. Need one more session of preliminary work on style, then I will go for it and start really taking the particular detail piece apart and putting it back together in final form. Read enough of the remaining stack of Young Lions submissions last night to submit my rankings - we meet to decide the five-book longlist in early March. Job talks for the postcolonial search are now over; will need to read some materials before that meeting, also in early March.

Miscellaneous light reading: one more Imogen Robertson, Island of Bones; Erin Celello, Learning to Stay (I followed Erin's Ironman training blog obsessively in 2007, the first year I was really fixated on triathlon: on which note, I think this really is the year when I will be able to pull off my Ironman, having been derailed twice before by calamity and illness); Ann Leary's delightful The Good House; Chuck Wendig's Mockingbird, which I hugely enjoyed and which is exactly the sort of book I most wish I could write myself, only somehow I cannot; and my graduate school colleague M. E. Breen's lovely YA novel Darkwood, which has some minor unevenness in terms of introduction of worldbuilding and plot stuff but which is riveting in terms of character and storytelling.

Saturday, December 29, 2012

JM

At the FT (site registration required), an interesting long essay by Hedley Twidle on his Coetzee fixation:
Since Coetzee lodged his manuscripts in Harvard and now Texas, we have learnt that he wrote his major novels almost entirely in University of Cape Town examination books. They have dull orange covers with instructions printed on them: “Peak caps to be reversed”; “Answer only ONE question per booklet”.