Sunday's interesting failure has predictably led to a respiratory ailment - I made it to Cayman safely, but unfortunately had to exit hot yoga this morning due to ongoing lung issues. Frustration!
Good linkage:
Renovating Freud's couch
Potato cannon muzzle velocities. (Via Tyler Cowen.)
Cheese paintings! (Via.)
Light reading around the edges: Christa Faust's Fringe tie-in novel and the first volume of Ian Tregillis's Milkweed series, Bitter Seed. The opening chapters are a bit overwritten and the characters feel rather thinly developed, but once I settled into it, I hugely enjoyed it - will read installments two and three immediately.
Showing posts with label furniture. Show all posts
Showing posts with label furniture. Show all posts
Friday, May 10, 2013
Saturday, December 17, 2011
Monday, November 09, 2009
"The same goes for the bed"
From Georges Perec, Species of Spaces and Other Pieces (translated by John Sturrock):
We generally utilize the page in the larger of its two dimensions. The same goes for the bed. The bed (or, if you prefer, the page) is a rectangular space, longer than it is wide, in which, or on which, we normally lie longways. 'Italian' beds are only to be found in fairy tales (Tom Thumb and his brothers, or the seven daughters of the Ogre, for example) or in altogether abnormal and usually serious circumstances (mass exodus, aftermath of a bombing raid, etc.). Even when we utilize the bed the more usual way round, it's almost always a sign of a catastrophe if several people have to sleep in it. The bed is an instrument conceived for the nocturnal repose of one or two persons, but no more.
Saturday, April 04, 2009
Jargon
On the genetics of dog breeding: "Dog coats come in three forms: smooth (ie, short), long and wiry. Some dogs also have what fanciers refer to as 'furniture', notably moustaches. Dr Ostrander found that 80% of the variation between breeds in coat form and furniture was explained by differences in just three genes."
On Bob Marley: "Marley, as Toynbee writes, was initially skeptical about Perkins's contribution, but came around on hearing the subtle color his work added; he signaled his approval by offering Perkins a draw on his personal marijuana cigar (or 'spliff')."
On Bob Marley: "Marley, as Toynbee writes, was initially skeptical about Perkins's contribution, but came around on hearing the subtle color his work added; he signaled his approval by offering Perkins a draw on his personal marijuana cigar (or 'spliff')."
Subscribe to:
Posts (Atom)