For some truly unbelievable, alliteration-heavy writing inspired by this "situation" check out Jerry Saltz's column in New York magazine:
Urs Fischer has reduced Gavin Brown's Enterprise to a hole in the ground, and it is one of the most splendid things to have happened in a New York gallery in a while. Experientially rich, buzzing with energy and entropy, crammed with chaos and contradiction, and topped off with the saga of subversion that is central both to the history of the empty-gallery-as-a-work-of-art but also to the Gavin Brown experience itself, this work is brimming with meaning and mojo.
I have published four novels and four books of literary criticism; I'm currently at work on a book called FOR THE LOVE OF BROKEN THINGS: MY FATHER, EDWARD GIBBON AND THE RUINS OF ROME. I teach in the Department of English and Comparative Literature at Columbia University.
For some truly unbelievable, alliteration-heavy writing inspired by this "situation" check out Jerry Saltz's column in New York magazine:
ReplyDeleteUrs Fischer has reduced Gavin Brown's Enterprise to a hole in the ground, and it is one of the most splendid things to have happened in a New York gallery in a while. Experientially rich, buzzing with energy and entropy, crammed with chaos and contradiction, and topped off with the saga of subversion that is central both to the history of the empty-gallery-as-a-work-of-art but also to the Gavin Brown experience itself, this work is brimming with meaning and mojo.
http://nymag.com/arts/art/reviews/41266/
Reading the Camhi review I surmize that your yoga class may have stood you in good stead!
ReplyDelete[Take the "graduate-student types" as a compliment on youthful qualities]