A Saturday evening Gibbon snippet (new title for book is Gibbon's Rome: A Love Story - it is amazing how just sitting quietly and reading allows ideas to flow, I was having insane thoughts last night about how you would write an opera libretto that would bring the juxtaposition of the father-son dynamic, the father marrying and preventing the son from being able to do so - and not sending the money he promised so that Gibbon has to keep his brokeness a shameful secret from the friends he has been traveling with - and then the moment of impact when Gibbon actually meets Rome the city - but in my book, it's my own love story with the Decline and Fall as well):
I owe it to myself, and to historic truth, to declare, that some circumstances in this paragraph are founded only on conjecture and analogy. The stubbornness of our language has sometimes forced me to deviate from the conditional into the indicative mood.Main task for remaining weeks is to draft as much of the Austen book as I can (I'm optimistic that I should be able to get most of it down on paper in at least a rough version, top limit of 50K I think for full book so 8 chapters at 5-6K each should be doable in a 1.5K production of quota fashion); glory in libraries and read massive amounts of general footnote stuff (mostly amazing primary sources, especially history and poetry, with footnotes); and (re)read a chapter a day of Gibbon to put myself in the mood.
One of my two talks for the end of term now has an explicit commitment to talk especially about Gray's and Gibbon's footnotes, so I will do some Gray reentry also in between the other footnote reading. Exploration of library system to begin Monday, must first have a proper writing session on Austen and must before that finish typing up notes for the first chapter so that I can proceed to the next stage!