Showing posts with label Jane Yeh. Show all posts
Showing posts with label Jane Yeh. Show all posts

Tuesday, May 10, 2016

Closing tabs

Ah, I am long overdue some tab-closing and a light reading update, but life is complicated and Facebook continues to leach the energy out of blogging! I'm in Cayman for a couple more days, but my term isn't really over - flying back to New York Thursday for a couple more Friday tenure meetings and some end-of-semester teaching stuff. Can get through a couple more weeks without disaster I think....

Anyway, links first (I have upgraded to a new Kindle and will need to consult 2 different devices to get the full log):

How many eggs does a chicken lay in its lifetime?

On the subject of recreational zoology, read Jane Yeh's rhino poem in the NYRB!

At the New Yorker, Adelle Waldman on loving and loathing Samuel Richardson.

The new era of drone vandalism.

Should brand protection extend to paper offerings to the dead?

Top ten things junior faculty should know in order to get tenure. (There was a feminist rebuttal to this somewhere, but I have misplaced the link, and besides, it didn't invalidate the original points, just complemented them!)

What do Enid Blyton's school stories teach a reader about ethics?

Who will come with me to try this sour-cherry-pie sundae?

Finally, on a sadder note, Frederic Tuten interviewed Jenny Diski in 1999 and it's well worth a reread. I won't write more about Diski here, as I am attempting to write a proper piece about her for an online publication I admire, but I have been thinking very much of one of my favorite passages of hers, from On Trying to Keep Still (I think of it all the time and have certainly never read such an uncannily accurate description of why I have such a strong aversion to making plans to see even my favorite people!):
Being really alone means being free from anticipation. Even to know that something is going to happen, that I am required to do something is an intrusion on the emptiness I am after. What I love to see is an empty diary, pages and pages of nothing planned. A date, an arrangement, is a point in the future when something is required of me. I begin to worry about it days, sometimes weeks ahead. Just a haircut, a hospital visit, a dinner party. Going out. The weight of the thing-that-is-going-to-happen sits on my heart and crushes the present into non-existence. My ability to live in the here and now depends on not having any plans, on there being no expected interruption. I have no other way to do it. How can you be alone, properly alone, if you know someone is going to knock at the door in five hours, or tomorrow morning, or you have to get ready and go out in three days' time? I can't abide the fracturing of the present by the intrusion of a planned future.

Thursday, September 11, 2014

Happiness!

My dear friend Jane Yeh has been chosen for the Poetry Society's Next Generation list, issued once a decade. Not so well-known in the US as in the UK, but this is a BIG DEAL! These are poems that everyone who loves language and play should be reading.

Sunday, November 25, 2012

Closing tabs

The next three weeks are daunting; however, I trust I will get through....

Superb review at the Guardian for Jane Yeh's The Ninjas! (Courtesy of Ed Park.)

Tim Parks on the artist he grew up with.

Finally, courtesy of B., definitely the week's best job description (scroll down)! More related material here and here.

Friday, November 02, 2012

Hurricane update

Well, I have been lucky, Morningside Heights is high in elevation and I never lost power, but it has been a discombobulating and curiously stressful week! Obviously I couldn't fly out from LaGuardia yesterday. I'm on a direct flight to Cayman on Sunday instead; I will miss the triathlon, but it seemed the best of the available alternatives, and I'm now just trying not to worry neurotically about whether gas shortages will make it difficult to get a cab to JFK early on Sunday morning. I have two human evacuees and one feline in the living room; the younger human and I have had some good runs in Riverside Park and are enjoying massive amounts of Firefly/Big Bang Theory/Fringe to make the time go by. They have a good shot at getting back into their place Sunday morning, I think: fingers crossed that all these transitions go smoothly.

It now seems about a million years ago, but The Tempest at the Met last weekend was great. (Strange sense, during first two acts, of composer deliberately and rather perversely not writing the ravishing music of which he is capable, and moving towards difficulty or stringency instead, but the third act is emotionally much more forthcoming and draws everything back together. The orchestra sounded fantastic.)

Hurricane reading, appropriately and postapocalyptically: Justin Cronin's The Twelve. I enjoyed it, though it's not altogether to my tastes: a bit metaphysical/theological in its priorities, and the cast of thousands makes it sometimes difficult to differentiate one character from another. I thought this review was truly grossly unfair! Not my style of reviewing, anyway: if I hated it that much, I probably just wouldn't write about it.

Yoga today was beneficial!

Jane Yeh's The Ninjas is fantastically good. Separate post to follow at some less distracted juncture.

Irrelevant but interesting: the popularity of Clarks shoes in Jamaica.

Also, someone needs to send me a review copy of Swimming with Dr. Johnson and Mrs. Thrale: Sports, Health and Exercise in Eighteenth-Century England! (Courtesy of Steve B.)

Saturday, March 26, 2011

On invention

My friend Ed Park's sensibility and our mutual friend Jane Yeh's awareness of it are both so particular and vivid that I immediately labeled this NYT profile of Columbia radiation scientist David Brenner a "Jane reads the paper" bit:
He may have inherited his knack for industrial design from his maternal grandfather, a mechanical engineer who was one of the inventors of the Kit Kat candy bar and the machinery to mass-produce it.