Apophenia!

British writers' preferred dialect terms. Mine would have to be SHOOGLY, but I have also been reading B.'s materials for the PR exam and he will attest to the fact that I can't stop expressing my desire for a pair of wompers....

Hurricane update

Well, I have been lucky, Morningside Heights is high in elevation and I never lost power, but it has been a discombobulating and curiously stressful week! Obviously I couldn't fly out from LaGuardia yesterday. I'm on a direct flight to Cayman on Sunday instead; I will miss the triathlon, but it seemed the best of the available alternatives, and I'm now just trying not to worry neurotically about whether gas shortages will make it difficult to get a cab to JFK early on Sunday morning. I have two human evacuees and one feline in the living room; the younger human and I have had some good runs in Riverside Park and are enjoying massive amounts of Firefly/Big Bang Theory/Fringe to make the time go by. They have a good shot at getting back into their place Sunday morning, I think: fingers crossed that all these transitions go smoothly.

It now seems about a million years ago, but The Tempest at the Met last weekend was great. (Strange sense, during first two acts, of composer deliberately and rather perversely not writing the ravishing music of which he is capable, and moving towards difficulty or stringency instead, but the third act is emotionally much more forthcoming and draws everything back together. The orchestra sounded fantastic.)

Hurricane reading, appropriately and postapocalyptically: Justin Cronin's The Twelve. I enjoyed it, though it's not altogether to my tastes: a bit metaphysical/theological in its priorities, and the cast of thousands makes it sometimes difficult to differentiate one character from another. I thought this review was truly grossly unfair! Not my style of reviewing, anyway: if I hated it that much, I probably just wouldn't write about it.

Yoga today was beneficial!

Jane Yeh's The Ninjas is fantastically good. Separate post to follow at some less distracted juncture.

Irrelevant but interesting: the popularity of Clarks shoes in Jamaica.

Also, someone needs to send me a review copy of Swimming with Dr. Johnson and Mrs. Thrale: Sports, Health and Exercise in Eighteenth-Century England! (Courtesy of Steve B.)

S, M, L, XL

Tell me that this isn't really the last of Cintra Wilson's Critical Shopper columns?!?...

"My button period"

For the FT, Vanessa Friedman lunches with Manolo Blahnik (site registration required):

His favourites have been a pair that he made in 1973 for Ossie Clark, which featured cherry blossoms and green suede leaves that twined up the leg; ones with gigantic buttons (“from my button period in the 1980s”); shoes made from coral and pony skin that appeared in an exhibit at the Design Museum in London in 2003; and shoes from this season’s collection called “Toubid”, high-heeled ankle-strap sandals featuring tiers of cut work around the arch of the foot. The ones his customers like best tend to be the court shoes, which he thinks are “very conventional”, especially when they come in “stupid colours like dusty pink. It’s the safe shoe!”

He makes all sorts of heels but says that his favourite height is 3cm, which is a mid-height. (He also does 5cm.) He is currently also very interested in flats because “they are the most difficult shoes to walk in and be divine and gracious – they make you walk like a reindeer. The last time women really knew how to walk well in flats was the 1950s. You can see it in the movies.