Showing posts with label vernacular language. Show all posts
Showing posts with label vernacular language. Show all posts
Saturday, May 30, 2015
Apophenia!
British writers' preferred dialect terms. Mine would have to be SHOOGLY, but I have also been reading B.'s materials for the PR exam and he will attest to the fact that I can't stop expressing my desire for a pair of wompers....
Saturday, March 07, 2015
Ogres in passing
Lorien Kite interviews Kazuo Ishiguro at the FT (site registration required):
“About 50 or 60 pages in, maybe slightly more, I thought, well, maybe I’ll show Lorna this,” says Ishiguro. “And she looked at it and said: ‘This is appalling — this won’t do.’ I said: ‘So what’s wrong with it? What should I change?’ She said: ‘You can’t change anything. You’ll just have to start again from scratch; completely from scratch.’”
Ishiguro couldn’t face the job of reconstruction immediately, turning instead to the short-story collection that would be published as Nocturnes in 2009. But when he did return to the Dark Ages, the approach was different. “The first time I had a go at this thing it was a bit like Sir Walter Scott, over-egged with a kind of period vernacular. The second time around I just tried to keep the language as simple as possible. I worked more at taking words from what you or I would say rather than adding things like ‘prithee’ — just by removing prepositions or the odd word here and there, I ended up with something that sounded slightly odd or slightly foreign.”
Saturday, March 01, 2014
Kinga-prusha mall
Daniel Nester on the fading of the Philadelphia accent in the movies.
(Have just sent my reader's report to the press. I am not really and truly usually working at 11pm on a Saturday night, but I was so tired that I slept the day away and didn't really start getting traction on the last part of the manuscript until early evening!)
(Have just sent my reader's report to the press. I am not really and truly usually working at 11pm on a Saturday night, but I was so tired that I slept the day away and didn't really start getting traction on the last part of the manuscript until early evening!)
Closing tabs
I have been increasingly conscious, in recent years, of the sense that I am leading exactly the life I should be, and how fortunate I am in that - I like all the things in my life very much, the only problem is that there are too many of them! Today I am basically so tired that all I can do is lie in bed (I am trying to finish reading a book manuscript I need to write a reader's report on this weekend, working in bed is contraindicated from a sleep hygiene point-of-view but sometimes it is the only way to get anything done).
(I always think that if I were a mathematician, I would often be working in bed with my eyes closed!)
Flew back from Cayman Wednesday evening, got my first set of shots at the new allergy doctor Thursday morning, taught Thomas Jefferson Thursday afternoon, had my demanding Friday-morning meeting and then after nap and regrouping met G. at the Public Theater in the evening for a grippingly watchable Anthony and Cleopatra (not a perfect production, slightly too many disparate elements that don't quite gel, but you can't take your eyes off it - I really loved it) and dinner afterwards at the very nice newish restaurant there.
At that point it was after midnight and frigidly cold, but it proved impossible to get a cab, so I walked G. home via Greene St. and then headed across town on foot to the 1 train. Got home around 1:15, but it takes a couple hours for me to wind down after that and go to sleep - got to sleep finally around 3:30am, didn't wake up till 1pm, and went back to bed after some breakfast - I had unrealistic hopes for exercise today, but really I just have to dig in and get this work done, tomorrow will offer some opportunities too....
I finished rereading the last of the four Arthur books by Mary Stewart; as I dimly remembered, the fourth is much less good than the first three (she has various narrative and story conundrums to deal with, and the result is that she's working in a sort of chronicle mode, very readable but much less deeply satisfying than the first-person narration of the main trilogy).
I really like having a multi-volume sequence of novels to read or reread - might ponder what from the archives could be revisited over the next two weeks as I attempt to survive the workload between now and spring break.
(I will get a few days breather then, but unfortunately can't go and see B., as I have to go to Colonial Williamsburg at the end of the week for my eighteenth-century studies conference, grrrr... not looking forward to the eight-hour train ride each way, and am sorry to say that I am mean-spiritedly intent on skipping the masquerade ball - it is simply beyond what I can face, and I am thinking I will have a happy introvert's dinner instead at home alone in my hotel room with a book!)
Closing tabs:
At the LRB, Adam Mars-Jones on Beckett's "Not I."
Elaine Scarry's voice in the wilderness.
10 reasons to celebrate The Roots' Things Fall Apart on its fifteenth anniversary. (This is really one of my favorite albums, in fact I am feeling a strong desire to listen to it right now!)
The elusive role of dance in modernism.
Nobody said that then!
You can't see Bitcoins. (Via BoingBoing.)
The culling of zoo animals.
Finally, an excerpt from Juliet Macur's forthcoming book on Lance Armstrong - I'm keen to read this one, it will be published Tuesday. Am currently dug in on the to-me-curiously-not-relevant-though-still-interesting MFA vs. NYC: The Two Cultures of American Fiction.
(I always think that if I were a mathematician, I would often be working in bed with my eyes closed!)
Flew back from Cayman Wednesday evening, got my first set of shots at the new allergy doctor Thursday morning, taught Thomas Jefferson Thursday afternoon, had my demanding Friday-morning meeting and then after nap and regrouping met G. at the Public Theater in the evening for a grippingly watchable Anthony and Cleopatra (not a perfect production, slightly too many disparate elements that don't quite gel, but you can't take your eyes off it - I really loved it) and dinner afterwards at the very nice newish restaurant there.
At that point it was after midnight and frigidly cold, but it proved impossible to get a cab, so I walked G. home via Greene St. and then headed across town on foot to the 1 train. Got home around 1:15, but it takes a couple hours for me to wind down after that and go to sleep - got to sleep finally around 3:30am, didn't wake up till 1pm, and went back to bed after some breakfast - I had unrealistic hopes for exercise today, but really I just have to dig in and get this work done, tomorrow will offer some opportunities too....
I finished rereading the last of the four Arthur books by Mary Stewart; as I dimly remembered, the fourth is much less good than the first three (she has various narrative and story conundrums to deal with, and the result is that she's working in a sort of chronicle mode, very readable but much less deeply satisfying than the first-person narration of the main trilogy).
I really like having a multi-volume sequence of novels to read or reread - might ponder what from the archives could be revisited over the next two weeks as I attempt to survive the workload between now and spring break.
(I will get a few days breather then, but unfortunately can't go and see B., as I have to go to Colonial Williamsburg at the end of the week for my eighteenth-century studies conference, grrrr... not looking forward to the eight-hour train ride each way, and am sorry to say that I am mean-spiritedly intent on skipping the masquerade ball - it is simply beyond what I can face, and I am thinking I will have a happy introvert's dinner instead at home alone in my hotel room with a book!)
Closing tabs:
At the LRB, Adam Mars-Jones on Beckett's "Not I."
Elaine Scarry's voice in the wilderness.
10 reasons to celebrate The Roots' Things Fall Apart on its fifteenth anniversary. (This is really one of my favorite albums, in fact I am feeling a strong desire to listen to it right now!)
The elusive role of dance in modernism.
Nobody said that then!
You can't see Bitcoins. (Via BoingBoing.)
The culling of zoo animals.
Finally, an excerpt from Juliet Macur's forthcoming book on Lance Armstrong - I'm keen to read this one, it will be published Tuesday. Am currently dug in on the to-me-curiously-not-relevant-though-still-interesting MFA vs. NYC: The Two Cultures of American Fiction.
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