Showing posts with label future projects. Show all posts
Showing posts with label future projects. Show all posts

Wednesday, June 03, 2015

Life re-entry

I must say that I was absolutely overwhelmed on Monday and Tuesday by life re-entry panic. This to-do list is going to kill me!

All I really want is to be exercising and getting back into my own work mode, but instead I have this huge list of school things and life things and especially things to do with my father's estate that must be ticked off (Pennsylvania estate taxes must be prepaid by June 6 for the discount, the condo closing is early next week and I belatedly realized yesterday that my brother in NJ had the only set of keys with electronic fob and mailbox - my sister-in-law came to the rescue, express-mailing them this morning to paralegal in Philadelphia).

Dissertations are being defended left and right and I need to round up a few more committee members for the third of three upcoming (I hate to ask the same people multiple times, it is a lot of extra work, but then again we ask those people because they are so good at it and answer emails promptly - no virtue goes unpunished in academia!).

ARGHHHHHHH!!!!

I have an amazing slate of work stuff that I'm really excited about, but need to clear the head space so that I can actually get down to business. Summer projects: researching and writing the talk for this Johnson Shakespeare conference (this is the most pressing!); writing proposals for books about reading Austen and reading Clarissa. Back-burner upcoming project is the Gibbon's Rome book, but that will mostly have to wait till my year of sabbatical in 2016-2017 (woo-hoo!). Also a Secret Editorial Project that I will wait to unveil till it's more official, but that should be pretty interesting....

I have a very demanding year upcoming; only teaching one class per semester, due to course release for administrative stuff, but the two really huge things are that I will be chairing the Tenure Review Advisory Committee (that's between 70 and 80 tenure cases over the year), and I've also agreed to do something that as a Young Person was one of my institutional dreams (it's an honor to be asked, I couldn't say no!): writing the annual eighteenth-century studies roundup review for Studies in English Literature, which entails reading and reviewing the 100+ books and journal issues published in my field in 2015. It will be very interesting, I think, and it should benefit my graduate students down the road in terms of giving me a keener sense of the field as it currently exists, but it is a lot of work.

Closing tabs:

My review of Hanya Yanagihara's new novel is in the new issue of Bookforum, but not available online (read Garth Greenwell's piece instead!).

Ben Anastas on the pain of being edited.

Victor LaValle interviews Mat Johnson (keen to read his new novel).

At Public Books, Benjamin Eldon Stevens writes about a novel I loved, Jo Walton's Just City.

Jane Yeh has a poem in the New Republic!

An excellent interview with my colleague Edward Mendelson about morals and criticism.

A tale of two velodromes!

Miscellaneous light reading around the edges (lots of planes and trains):

Asali Solomon, Disgruntled (I really liked this one - very clear and captivating voice and vision, and of course due to the Philadelphia stuff I am especially interested - going to send a copy to my mother now as I think she will much enjoy it).

Paolo Bacigalupi, The Water Knife (I think he's an extremely good writer, and yet I do not love his books - I suppose that my preference is for something more character- and voice-driven, which is really not a criticism, just an observation!).

Andrew Klavan, Werewolf Cop (title of genius!)

Tim Lebbon, The Silence - I really, really liked this one.

Anyway, I've spent the morning clearing various minor list items, and am no longer feeling quite so panicky (I also have a personal assistant scheduled to come a couple times in the next few weeks to help me/make me do mine and my dad's postponed taxes for 2014, apply for Global Entry and more passport pages, move things from home to office, etc. etc.).

Saturday, February 01, 2014

Sleeping in

I was so phenomenally tired last night that I accidentally fell asleep from 6pm to 9pm with the lights on and 2 cats sprawled beside me on the bed. Then I couldn't sleep till late, maybe 2am: but it was clear when the alarm went off at 8:45 that I was not really ready to get up, despite the pull of my beloved 10am spin class. Messaged the teacher to let her know I wouldn't be there, then went back to bed. It was the right choice - I feel much more functional now, and will go out for an easy 90-minute run in another hour or so (it is 40 degrees and sunny!).

Saw a very poor play by Brecht on Wednesday (not recommended, though there are some funny bits and the production's not bad); good grilled ham and cheese sandwich afterwards with G. at Linen Hall.

Saw an amazing film called The Unseen Sequence yesterday at Lincoln Center with friends. Particularly mesmerizing are the teaching sequences, but really the whole thing was incredibly worthwhile (and with some lovely music also). A treat afterwards - their friend who works at the Met gave us an amazing behind-the-scenes tour, including the "dome" (little box up at the very top above the chandelier) and the hydraulic lift - gigantic pistons! - used to bring up enormous scenery from the bowels of the complex to the stage. Then another grilled cheese sandwich, this time with tomato soup (I had rushed straight from a long morning meeting to the movie, it was 3:30 and I was dropping from fatigue and hunger!), at the Alice Tully cafe.

I am much enjoying this semester so far, but it has a very different work rhythm than my usual - the committee load is extremely heavy (it is fascinating work, though, and very well-suited to my inclinations and abilities - basically reading and synthesizing huge amounts of material across a wide range of fields), with deadlines on Wednesday morning for report-writing and Friday morning for the meeting itself, and my class is Thursday afternoon. Won't have much time for leisure reading, but it is a worthwhile tradeoff (confidentiality prevents me from linking to either of the 2 books I read this week, or to any of the four candidates for tenure we discussed at our meeting yesterday). The weekend feels more relaxed because of not teaching on Mondays, but I have to make it through to the end of the week intact, rather than collapsing happily on Wednesday evening when I am mostly done.

Light reading around the edges: a comfort reread of Gerald Durrell's My Family and Other Animals (can't remember now what reminded me of this - it is a book I read many many times as a child, I loved it, I practically know it by heart - but I bought this copy for B., who doesn't know it, and then couldn't resist rereading it myself first); and I am well dug in on Rebecca Mead's absolutely lovely My Life in Middlemarch, which is gloriously good. I have been thinking a lot about what books I want to write next, and I think I am on a Rebecca Mead-Geoff Dyer-Francis Spufford axis of writing about reading, though with more similarities I think to Spufford than to either of the other two....

Tuesday, August 28, 2012

Closing tabs redux

Wish I could see this. 

Also rather wish I could go here!  (Link via B., who got it here.  Note to self: acquire camp chair?)

Great Oliver Sacks piece in last week's New Yorker, including an amazing description of the genesis of his vision of his writing vocation - online for subscribers only, but that podcast is open to all, I think.

Asad Raza's Wimbledon diary.

Rereading We Need To Talk About Kevin for a fuller discussion of Lionel Shriver as stylist in my style revision - but really I need to put that aside and get my syllabi finalized, course readers arranged, books checked on etc.  Still have a bit more leeway time-wise, as my first classes don't meet till next Wednesday and then the following Monday, but can't seem to concentrate on the other with this still unresolved, so I think I'll take a few days this week to do that, return library books, etc. 

I do have some good news that I think no longer needs to be secret - awaiting contract on the style book from Columbia University Press!  Very excited about working with them on this, though there are a couple other editors I've mentally bookmarked as people I'm eager to collaborate with on future projects.

Got home from Cayman late Sunday night and had another endodontist appointment yesterday afternoon.  Fingers crossed that this was the last one, though doctor says there is a ten percent chance a further procedure will be needed.  Went to regular dentist this morning to get the temporary filling in the crown replaced with a permanent one.  Devoutly hoping that this is it for this year's dental woes!  It was certainly much less painful afterwards than the two prior sessions, though there is still some infection.

Saturday, May 05, 2012

Home again

Feel much more settled now that I am back at home with my little cat, who was flatteringly happy to see me last night.  I do not know why feline company should be so soothing, but there is no doubt that I am on a more even keel when there is a cat around. 

Read two good books on my travels: Johan Theorin's The Darkest Room (this guy is an awe-inspiringly good popular storyteller - the book gave me a yen to watch Hitchcock movies obsessively and see whether I couldn't craft such a formally perfect and atmospherically chilling narrative of suspense); and Katherine Boo's Behind the Beautiful Forevers.  The amount and quality of reporting that went into this book is staggering: it is really a feat of human achievement like few other things!  It is not a criticism, but I am struck by the oddity of the fact that the style of narration really recognizably is still like what the cluster of mid-19th-century novelists that include Hugo and Dickens and Eliot and Balzac developed - ditto for The Wire - it is a powerful form of narration that, once discovered, has had considerable longevity.

Closing tabs:

Brent's friend Larry Thompson has printed a beautiful edition of "Tintern Abbey."

The National Eagle Repository.

This is the kind of writing I should really be doing.