Closing tabs

Sunday's interesting failure has predictably led to a respiratory ailment - I made it to Cayman safely, but unfortunately had to exit hot yoga this morning due to ongoing lung issues. Frustration!

Good linkage:

Renovating Freud's couch

Potato cannon muzzle velocities. (Via Tyler Cowen.)

Cheese paintings! (Via.)

Light reading around the edges: Christa Faust's Fringe tie-in novel and the first volume of Ian Tregillis's Milkweed series, Bitter Seed. The opening chapters are a bit overwritten and the characters feel rather thinly developed, but once I settled into it, I hugely enjoyed it - will read installments two and three immediately.

Closing tabs

Edward St. Aubyn interviewed at the Times (via):

In the English education system, the last two years before university are spent intensively studying a small number of “set books.” Few people — even as slow a reader as I am — are likely to spend longer in the company of a book than an A-level student. The works I studied over those two years were Racine’s “Phèdre” and Flaubert’s “Madame Bovary” for French A-level. “The Portrait of a Lady,” by Henry James; Joyce’s “Ulysses”; poetry by Yeats and T. S. Eliot; and “King Lear” were my set books for English. James’s idea of a “center of consciousness” presiding over a scene, Flaubert’s slogan “le style est tout,” Joyce’s claim that “imagination is memory,” Racine’s austere adhesion to the classical unities and many other aspects of those works became part of the foundations of my sense of taste and, even if I wanted to question them, continued to influence me when I became a writer myself.

Also: the daily routine of Hunter S. Thompson; the career of a human cannonball (FT site registration required).