Showing posts with label bats. Show all posts
Showing posts with label bats. Show all posts
Saturday, October 30, 2010
Natterer's, pipistrelles
At the FT, Christopher Somerville on the bats of Petworth (site registration required).
Thursday, October 07, 2010
The Western tradition
Ah, it is such a luxury to be starting my morning with coffee and wireless internet! I forgot to write yesterday about what was probably the most interesting book I've read recently, William Gibson's Zero History, which I enjoyed very much but found not up to the standard of Pattern Recognition. Also enjoyed Andre Agassi's autobiography - both part of a book splurge at McNally Robinson last week. I finally have my Kindle in my hands, but have not yet opened the box and set it up - must do that before my Maine trip tomorrow...
Last night I had the perfect New York evening - my brother turned up at the loft where I'm staying (he is working as a carpenter on the Men in Black III production in Williamsburg, and the commute from Philadelphia means getting up at 4am and not getting home till 8pm, so he is going to try and ease things up by staying one or two nights a week in New York), we hung out for an hour, then G. and I went to see the very funny and apt Office Hours by A. R. Gurney at what is rapidly becoming my favorite small theater in Manhattan, The Flea. Young company The Bats are superb, and though the play is slight, I thought it was very well done; also, of course, as someone who has taught in Columbia's Literature Humanities program, I must be pretty much the exact/ideal target audience...
(And a delicious dinner afterwards at Petrarca: we shared piatto rustico to start [G.: "I never remember the food we eat, but I remember we had that before and how good it was!"], then I had a pizza with capers, anchovies and black olives and a specialty dessert of vanilla gelato with amarena cherries.)
Tonight I'm speaking on Clarissa and counterfactuals at the Fordham eighteenth-century seminar: should be fun...
Last night I had the perfect New York evening - my brother turned up at the loft where I'm staying (he is working as a carpenter on the Men in Black III production in Williamsburg, and the commute from Philadelphia means getting up at 4am and not getting home till 8pm, so he is going to try and ease things up by staying one or two nights a week in New York), we hung out for an hour, then G. and I went to see the very funny and apt Office Hours by A. R. Gurney at what is rapidly becoming my favorite small theater in Manhattan, The Flea. Young company The Bats are superb, and though the play is slight, I thought it was very well done; also, of course, as someone who has taught in Columbia's Literature Humanities program, I must be pretty much the exact/ideal target audience...
(And a delicious dinner afterwards at Petrarca: we shared piatto rustico to start [G.: "I never remember the food we eat, but I remember we had that before and how good it was!"], then I had a pizza with capers, anchovies and black olives and a specialty dessert of vanilla gelato with amarena cherries.)
Tonight I'm speaking on Clarissa and counterfactuals at the Fordham eighteenth-century seminar: should be fun...
Tuesday, April 20, 2010
Alcathoe's bat
Catch-up miscellany (I have been traveling, it throws me off!):
Thumbprint-sized bat discovered in England.
Ancient Roman ingots to provide lead shielding for neutrino detector (thanks to Wendy for the link!).
An edited transcript of my interview of Jonathan Safran Foer for the Literature and Terror series at Columbia.
At the LRB, Jenny Diski on delusionary parasitosis (something I hope I will never experience).
A recent conversation with a friend of my mother's who didn't much like Wolf Hall (which I liked very much indeed) led me to obtain and consume (I will not say devour, they are not quite so delightful to my tastes as that) four crime novels by C. J. Sansom, who seems to be better known in Britain than in the U.S.: Dissolution, Dark Fire, Sovereign and Revelation.
They are not at all bad, they are highly readable, but they caused me to think with considerable grumpiness about how much I dislike the genre of the historical mystery (as opposed to the straight historical novel), especially when it is set in medieval times.
It might just be after-the-fact rationalization of a more visceral dislike, I cannot really say, but the thing that irks me is that though of course crimes must always have been investigated (and Oedipus Rex would be a good example of an early literary work that develops an innovative form to foreground a narrative of investigation and discovery), the narrative protocols of crime fiction are very much of the nineteenth and early twentieth centuries, so that it makes a sort of nonsense of the whole business (at the very best a parlor game, at worst a deeply misguided effort in false sensibility) to write about fifteenth-century monks as though they could just be plugged into a P. D. James novel and function.
The first volume in particular gave me a desperate yearning to read some modern stabs at 'real' faux-medieval crime narratives - you would mine Boccaccio and Chaucer and whatever else you wanted for some ideas and then write some really genuinely formally peculiar things that would be (ideally) moving and intellectually gripping but that would look absolutely nothing like the stories of Arthur Conan Doyle. Medievalists out there? Any ideas? What would the reading list be for a fiction-writer researching such a project (I am not contemplating it myself, I am just curious), and what might the genre of medieval crime tale look like? Are there ones that are readable (in verse or prose), and what are their narrative as opposed to investigative protocols? What about law cases/trials and other forms of narrative of investigation? Adaptations of the story of Cane and Abel or other Biblical crimes? Hmmm, I realize I do not actually have a very clear idea about this, I must investigate - perhaps there is an abstruse but magically interesting academic book at the library that would satisfy my curiosity on these points...
Thumbprint-sized bat discovered in England.
Ancient Roman ingots to provide lead shielding for neutrino detector (thanks to Wendy for the link!).
An edited transcript of my interview of Jonathan Safran Foer for the Literature and Terror series at Columbia.
At the LRB, Jenny Diski on delusionary parasitosis (something I hope I will never experience).
A recent conversation with a friend of my mother's who didn't much like Wolf Hall (which I liked very much indeed) led me to obtain and consume (I will not say devour, they are not quite so delightful to my tastes as that) four crime novels by C. J. Sansom, who seems to be better known in Britain than in the U.S.: Dissolution, Dark Fire, Sovereign and Revelation.
They are not at all bad, they are highly readable, but they caused me to think with considerable grumpiness about how much I dislike the genre of the historical mystery (as opposed to the straight historical novel), especially when it is set in medieval times.
It might just be after-the-fact rationalization of a more visceral dislike, I cannot really say, but the thing that irks me is that though of course crimes must always have been investigated (and Oedipus Rex would be a good example of an early literary work that develops an innovative form to foreground a narrative of investigation and discovery), the narrative protocols of crime fiction are very much of the nineteenth and early twentieth centuries, so that it makes a sort of nonsense of the whole business (at the very best a parlor game, at worst a deeply misguided effort in false sensibility) to write about fifteenth-century monks as though they could just be plugged into a P. D. James novel and function.
The first volume in particular gave me a desperate yearning to read some modern stabs at 'real' faux-medieval crime narratives - you would mine Boccaccio and Chaucer and whatever else you wanted for some ideas and then write some really genuinely formally peculiar things that would be (ideally) moving and intellectually gripping but that would look absolutely nothing like the stories of Arthur Conan Doyle. Medievalists out there? Any ideas? What would the reading list be for a fiction-writer researching such a project (I am not contemplating it myself, I am just curious), and what might the genre of medieval crime tale look like? Are there ones that are readable (in verse or prose), and what are their narrative as opposed to investigative protocols? What about law cases/trials and other forms of narrative of investigation? Adaptations of the story of Cane and Abel or other Biblical crimes? Hmmm, I realize I do not actually have a very clear idea about this, I must investigate - perhaps there is an abstruse but magically interesting academic book at the library that would satisfy my curiosity on these points...
Friday, October 23, 2009
Sunday, September 20, 2009
Warp factor ten
Ozzy Osbourne's memoir excerpted at the Sunday Times:
1982. Ozzy’s Diary of a Madman show involved the hanging of midgets, a giant mechanical arm, and a catapult that fired raw meat into the audience. But on this occasion it was a prop supplied by the audience that stole the show.
On January 20, 1982, we played the Veterans Auditorium in Des Moines.
The gig was going great. The God-like hand was working without any hitches. We’d already hung the midget.
Then, from out of the audience came this bat. Obviously a toy, I thought.
So I held it up to the lights and bared my teeth while Randy played one of his solos. The crowd went mental.
Then I did what I always did when we got a rubber toy on stage.
CHOMP.
Immediately, though, something felt wrong. Very wrong.
For a start, my mouth was instantly full of this warm, gloopy liquid, with the worst aftertaste you could ever imagine. I could feel it staining my teeth and running down my chin.
Then the head in my mouth twitched.
Oh, f*** me I thought. I didn’t just go and eat a f***ing bat, did I?
So I spat out the head, looked over into the wings, and saw Sharon with her eyes bulging, waving her hands, screaming: “NOOOOOOOOOOOOOOOO!!!!!!!!!!!!!! IT’S REAL, OZZY, IT’S REAL!”
Next thing I knew I was in a wheelchair, being rushed into an emergency room.
Every night for the rest of the tour I had to find a doctor and get rabies shots: one in each arse cheek, one in each thigh, one in each arm. I had more holes in me than a lump of f***ing Swiss cheese.
Monday, January 05, 2009
"A cupboard full of Vaseline"
At the Guardian, Kira Cochrane interviews editor and memoirist Diana Athill:
She says that the author she liked most was Molly Keane, who was "an absolute darling. And I suppose of all the men, the nicest was - is - John Updike." One of the less attractive characters was VS Naipaul; when Athill needed cheering up, "I used to tell myself: 'At least I'm not married to Vidia.'"
One of the authors whose writing style she most admired was Jean Rhys. "Jean used to simply say that she was trying to get it like it had really been. To get it right," she says. This is the hallmark of her own work. She uses metaphor rarely and perfectly, suggesting, for instance, that scarlet lipstick can make older women look "like a vampire bat disturbed in mid-dinner". "Jean used to say, 'Cut, cut, cut, cut,' and she was right," Athill says. "Accurate writing means accurate thinking."
Monday, October 20, 2008
Hematophagy

A delightful piece by Natalie Angier in the Science Times on some of the creatures hymned in Bill Schutt's Dark Banquet: Blood and the Curious Lives of Blood-Feeding Creatures, which I am Amazoning at once:
Among his rubied rabble are vampire bats tuned to extract blood from large slumbering mammals and bats that aim instead for the warm breast plates of birds; New World leeches that track their hosts through the water and Old World leeches that relentlessly stalk down blood bearers on land; the notorious vampire finches of the Galápagos that daintily peck open dribbling wounds on the hindquarters of blue-footed boobies; and the candiru, tiny, eel-like catfish that are reputed to have the power to swim up a person’s urethra and suck blood from the bladder and thus are often more feared than their fellow river dwellers, the piranhas.
Friday, August 22, 2008
Neurasthenic lunging
Alice sees a bat at Barnard. Oh dear, I am laughing out loud, I have never read such a poem in my life as that first D. H. Lawrence one she links to, how utterly and horrifyingly delightful...
Tuesday, August 12, 2008
The other world
In an exciting development that makes me feel like a real author, I am interviewed on the Bat Segundo Show! It is a lengthy podcast bursting with literary opinions...
Tuesday, July 08, 2008
Friday, July 04, 2008
Supermarket delicacies
At the FT, Stefan Wagstyl has coffee with Vaclav Havel. On Havel's new book:
It is not so much a memoir as a series of commentaries, interspersed with contemporaneous office notes and entries from a diary he kept in 2005 while working on the book. President Havel worries about everything from the future of the planet to the half-cooked potatoes served to the visiting Emperor of Japan and the bat that has taken up residence in his summer house. “In the closet where the vacuum cleaner is kept there also lives a bat. How to get rid of it? The light bulb has been unscrewed so as not to wake it up and upset it.”
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