Showing posts with label swim lit. Show all posts
Showing posts with label swim lit. Show all posts

Thursday, July 05, 2012

Swim lit

From Leanne Shapton's Swimming Studies:
When I read in an obituary that Cy Twombly's father was a prominent swim coach, I start to see Twombly's paintings as thrashing laps, as polygraphs, as pulse rate.  I wonder if I'm drawn to his work because he might have had an athletic habit he metabolized then rejected.
Devoured Shapton's book this morning in a single sitting (well, actually two sittings, with a short walk from one location to another); it is odd, off-kilter, but in a way that's suited to its subject, loss and the relationship between past and present selves.  NB I made a conscious decision to buy it on Kindle, as I wanted to read it as soon as I could lay my hands on it and I knew I'd be out of the country on pub date, but this is one to buy in hard copy, as the watercolors (and appealing photographs of bathing suit collection!) do not show up well on the small gray screen of the Kindle.  I had a pang that I won't be able to put this book into Wendy's hands, as the Nepean Sportsplex makes several appearances, including in a watercolor!

I am somewhat off-kilter myself today, as the date for receiving editorial comments has been pushed back, and with it my final deadline; I was really hoping to be well and truly done with the wretched creature by the end of the day tomorrow, but it is no longer an option!  Unsettled without proper work tasks.  Haven't brought real other work with me, barring one or two minor things (i.e. reader's report on a journal article or two), as I am still waiting for second report on the style book and the other article I'm working on notionally this month needs a lot of library books that I didn't want to cart down here on spec.  Not really in situation for 'vacation,' though, either, with this hanging over me, and curiously slow internet connection today is further contributing to the feeling that I am on the verge of exploding.  Exercise and projected Middlemarch reread will have to tide me over....

Read the other night: Sheila Heti's intriguing and often comically Socratic How Should a Person Be?; it is a sort of companion piece to The Chairs Are Where The People Go, which I think I found more intensely engaging.  Both volumes are recommended on the grounds that they are not really like anything else and they will stick with you.

Bonus links: Roland Barthes on Cy Twombly; my top five book recommendations for the swim-obsessed.

Friday, July 16, 2010

Friday glums

A useful and slightly frenetic day of minor errands. Ready to stop living out of a bag, though! The play was execrably bad (the best performance was by the pod-type espresso machine), so much so that it could be safely said that even the first course of dinner was better than the play: we went to Blue Ribbon, I had half-a-dozen PEI oysters and a very delicious entree special of seared sea scallops with cauliflower puree (pure butter!) and arugula-and-watercress salad. Delicious...

In the meantime I have also read these two sublimely good novels by Jenifer Levin. I have never in my life read such good writing about swimming, but they are wonderful novels regardless of the swim component; perhaps I liked Water Dancer better of the two, as the world of marathon swimming is endlessly fascinating to me, but here is a paragraph (a description of the 100-meter breaststroke) from The Sea of Light that I would like to have shared with Wendy:
Spectator shouts roar to the high ceiling, an indistinguishable echo. In the bright-lit pool, bodies glide. This is the slowest stroke, the oldest stroke. It may appear to the observer to be a manifestation of perfect ease and grace, but from the inside when you do it all out, as perfectly and as fast as you can, when you do it to win then you look monstrous surging out of the water, a creature from some dark lagoon with foreign bug-goggle eyes. It wrenches every fiber of every muscle and it burns you all up with effort so that when you touch the wall to finish you have forgotten how to breathe, have forgotten everything but the naked agonized rasp in your empty lungs and heart. The 100 demands such complete control, so much raw strength. Yet the entire event will be finished in a little more than a minute. If you think about it, it seems unfair.

Thursday, July 15, 2010

The summer of sandwiches

Not yet at all back to normal - that will have to wait till I return to Cayman and get back in a decent work and exercise routine. It has been almost a month now without my having done a stroke of work, and it is not something I enjoy - I need to be thinking and reading and writing in order to feel more myself!

But New York visiting is very soothing. My apartment is sublet, so I'm staying downtown in fairly idyllic circumstances with adopted grandfather G., who is feeding and entertaining me and leaving me to my own devices in characteristically lovely fashion. You wake up and find that he has already been up and out to obtain muffins or scones from Balthazar or Once Upon a Tart and that the coffee is ready to brew, and the day proceeds from there: this morning I went back to bed after breakfast, for instance, and woke up again in the later morning for an excursion to the Housing Works bookstore to replenish the light reading supply followed by a delicious ham and cheese omelet for lunch in the absolutely lovely trellis-vined garden at Le Jardin Bistro.

I am not such a food-oriented person most of the time, but the last month has involved odd and irregular eating; I have mostly been living on coffee, chocolate, alcohol and non-delicious sandwiches. In other words, I am more than ready for the regime of nutritional stringency and hard exercise which will begin when I get back to Cayman, but in traveling limbo it is very good to have some truly delicious food in the New York vein!

On Tuesday after I got in we had a late lunch at Peep (grilled calamari, chicken with basil); in the evening we had dinner at Mezzogiorno (tonello vitello, beef carpaccio with arugula and parmesan - yes, I know the first two are really basically the same thing, but it is the sort of thing I most like! - and blood orange sorbet to finish).

Last night we went to a very decent (it was too long, but texturally highly satisfactory) theatrical adaptation of Dos Passos' Manhattan Transfer, then to Le Rivage in honor of Bastille Day for a tasty and reasonably priced prix fixe dinner (romaine with tomato and anchovies, chicken cordon bleu, peach melba).

Tonight: Sweet, Sweet Motherhood (doesn't sound great, but it's my sort of topic - I liked Lee Silver's Remaking Eden quite a bit).

I finished The Passage - I really, really liked it. It is haunting, it is bleak, it is well worth your while if you like that sort of book at all - a friend tells me that it has not met the publishers' "big book of the summer" expectations, but if this is so, I would guess that it is because it is too much of a 'real' book and not enough of a simple beach read. And I also polished off a little book by Nina Kiriki Hoffman, Fall of Light, which I enjoyed quite a bit but found puzzling on account of my complete inability to tell whether it was an installment in a series or just a hastily written one-off with a large number of loose ends.

(And I forgot to mention the other book I read just before leaving Ottawa, Wendy's copy of Bimbos of the Death Sun - I had mentioned to her a few years ago that I was reading Zombies of the Gene Pool because it had been pressed upon me as a loan by the fellow who sells books in front of Milano Market on Broadway, and she observed that in her circles, the other book was rather better thought of!)

The Housing Works haul really is excellent. Being in a good used bookstore like that also makes me want to write novels - it is a more interesting and less bland selection than what you see in a non-excellent big-box bookstore where it's almost all new stuff. For US$40.78, I obtained the following, which will certainly tide me over to next week: Kate Atkinson's When Will There Be Good News?, John Twelve Hawks' The Dark River, Sam Bourne's The Last Testament, Nick Flynn's Another Bullshit Night in Suck City (a novel the NYT remains unwilling to name in its pages), Stewart Home's 69 Things To Do With a Dead Princess, Jenifer Levin's The Sea of Light and Water Dancer (swim lit!), Sebastian Faulks' Human Traces and a funny curiosity that I'd never heard of before but am very much looking forward to reading, Mary McMinnies' The Visitors.