All I can say is: they don't review my books in the London Times either. (They did review one of them in the New Scientist, but I think that was some sort of mistake.) It seems a bit much for someone writing in a commercial genre field to complain that his books aren't getting taken seriously. I thought that was supposed to be a strength of genre fiction, that it is free of snobbish constraints.
Or he can take the long view and just wait until he's been dead for 20 years and then become famous. That worked for Philip K. Dick.
I have published four novels and four books of literary criticism; I'm currently at work on a book called FOR THE LOVE OF BROKEN THINGS: MY FATHER, EDWARD GIBBON AND THE RUINS OF ROME. I teach in the Department of English and Comparative Literature at Columbia University.
All I can say is: they don't review my books in the London Times either. (They did review one of them in the New Scientist, but I think that was some sort of mistake.) It seems a bit much for someone writing in a commercial genre field to complain that his books aren't getting taken seriously. I thought that was supposed to be a strength of genre fiction, that it is free of snobbish constraints.
ReplyDeleteOr he can take the long view and just wait until he's been dead for 20 years and then become famous. That worked for Philip K. Dick.