A useful link from Nico: Historical Anatomies on the Web. Some really lovely things there (look at Cheselden's delightfully bony animals!--which irrelevantly makes me feel the need to quote Dickens--here's the chapter in question, from Our Mutual Friend--but I am going to recklessly paste in a huge chunk of it anyway, I have finished my essay and psychological exigencies persuade me it is worth taking the evening off before making a huge effort tomorrow to clear the deck of various work stuff--I do love taxidermy...):
'Oh dear me, dear me!' sighs Mr Venus, heavily, snuffing the candle, 'the world that appeared so flowery has ceased to blow! You're casting your eye round the shop, Mr Wegg. Let me show you a light. My working bench. My young man's bench. A Wice. Tools. Bones, warious. Skulls, warious. Preserved Indian baby. African ditto. Bottled preparations, warious. Everything within reach of your hand, in good preservation. The mouldy ones a-top. What's in those hampers over them again, I don't quite remember. Say, human warious. Cats. Articulated English baby. Dogs. Ducks. Glass eyes, warious. Mummied bird. Dried cuticle, warious. Oh, dear me! That's the general panoramic view.'
Having so held and waved the candle as that all these heterogeneous objects seemed to come forward obediently when they were named, and then retire again, Mr Venus despondently repeats, 'Oh dear me, dear me!' resumes his seat, and with drooping despondency upon him, falls to pouring himself out more tea.
'Where am I?' asks Mr Wegg.
'You're somewhere in the back shop across the yard, sir; and speaking quite candidly, I wish I'd never bought you of the Hospital Porter.'
'Now, look here, what did you give for me?'
'Well,' replies Venus, blowing his tea: his head and face peering out of the darkness, over the smoke of it, as if he were modernizing the old original rise in his family: 'you were one of a warious lot, and I don't know.'
Silas puts his point in the improved form of 'What will you take for me?'
'Well,' replies Venus, still blowing his tea, 'I'm not prepared, at a moment's notice, to tell you, Mr Wegg.'
'Come! According to your own account I'm not worth much,' Wegg reasons persuasively.
'Not for miscellaneous working in, I grant you, Mr Wegg; but you might turn out valuable yet, as a--' here Mr Venus takes a gulp of tea, so hot that it makes him choke, and sets his weak eyes watering; 'as a Monstrosity, if you'll excuse me.'
Repressing an indignant look, indicative of anything but a disposition to excuse him, Silas pursues his point.
'I think you know me, Mr Venus, and I think you know I never bargain.'
Mr Venus takes gulps of hot tea, shutting his eyes at every gulp, and opening them again in a spasmodic manner; but does not commit himself to assent.
'I have a prospect of getting on in life and elevating myself by my own independent exertions,' says Wegg, feelingly, 'and I shouldn't like--I tell you openly I should NOT like--under such circumstances, to be what I may call dispersed, a part of me here, and a part of me there, but should wish to collect myself like a genteel person.'
'It's a prospect at present, is it, Mr Wegg? Then you haven't got the money for a deal about you? Then I'll tell you what I'll do with you; I'll hold you over. I am a man of my word, and you needn't be afraid of my disposing of you. I'll hold you over. That's a promise. Oh dear me, dear me!'
Fain to accept his promise, and wishing to propitiate him, Mr Wegg looks on as he sighs and pours himself out more tea, and then says, trying to get a sympathetic tone into his voice:
'You seem very low, Mr Venus. Is business bad?'
'Never was so good.'
'Is your hand out at all?'
'Never was so well in. Mr Wegg, I'm not only first in the trade, but I'm THE trade. You may go and buy a skeleton at the West End if you like, and pay the West End price, but it'll be my putting together. I've as much to do as I can possibly do, with the assistance of my young man, and I take a pride and a pleasure in it.'
Mr Venus thus delivers hmself, his right hand extended, his smoking saucer in his left hand, protesting as though he were going to burst into a flood of tears.
'That ain't a state of things to make you low, Mr Venus.'
'Mr Wegg, I know it ain't. Mr Wegg, not to name myself as a workman without an equal, I've gone on improving myself in my knowledge of Anatomy, till both by sight and by name I'm perfect. Mr Wegg, if you was brought here loose in a bag to be articulated, I'd name your smallest bones blindfold equally with your largest, as fast as I could pick 'em out, and I'd sort 'em all, and sort your wertebrae, in a manner that would equally surprise and charm you.'
'Well,' remarks Silas (though not quite so readily as last time),
'THAT ain't a state of things to be low about.--Not for YOU to be low about, leastways.'
'Mr Wegg, I know it ain't; Mr Wegg, I know it ain't. But it's the heart that lowers me, it is the heart! Be so good as take and read that card out loud.'
Silas receives one from his hand, which Venus takes from a wonderful litter in a drawer, and putting on his spectacles, reads:
'Yes. Go on.'
'"Preserver of Animals and Birds,"'
'Yes. Go on.'
'"Articulator of human bones."'
'That's it,' with a groan. 'That's it! Mr Wegg, I'm thirty-two, and a bachelor. Mr Wegg, I love her. Mr Wegg, she is worthy of being loved by a Potentate!' Here Silas is rather alarmed by Mr Venus's springing to his feet in the hurry of his spirits, and haggardly confronting him with his hand on his coat collar; but Mr Venus, begging pardon, sits down again, saying, with the calmness of despair, 'She objects to the business.'
'Does she know the profits of it?'
'She knows the profits of it, but she don't appreciate the art of it, and she objects to it. "I do not wish," she writes in her own handwriting, "to regard myself, nor yet to be regarded, in that boney light".'
Mr Venus pours himself out more tea, with a look and in an attitude of the deepest desolation.
'And so a man climbs to the top of the tree, Mr Wegg, only to see that there's no look-out when he's up there! I sit here of a night surrounded by the lovely trophies of my art, and what have they done for me? Ruined me. Brought me to the pass of being informed that "she does not wish to regard herself, nor yet to be regarded, in that boney light"!' Having repeated the fatal expressions, Mr Venus drinks more tea by gulps, and offers an explanation of his doing so.
'It lowers me. When I'm equally lowered all over, lethargy sets in. By sticking to it till one or two in the morning, I get oblivion. Don't let me detain you, Mr Wegg. I'm not company for any one.'