It is almost a pity to excerpt a piece that is so good as a whole, but here's an especially stimulating bit:
This is all a novelist needs, nothing exact or precise, but a configuration, something distant that can be mulled over, guessed at, dreamed about, imagined, a set of shadowy relations the writer can begin to put substance on, changing details, adding shape, but using always something, often from years back, that had captured the imagination, or mattered somehow to the hidden self, however fleetingly or mysteriously.
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