Yesterday I taught my last class for the semester. It was a wonderful conversation and I am really going to miss these two groups of students - teaching things I care about a lot to amazing students has really made this last 6 weeks much easier and more enjoyable than it might have been otherwise.
That said, I am ready for an easing-off of the school workload. I have an amazing day ahead - I am going to use this week and next week to complete various undone work-related tasks at a sedate pace, things like drafting the rest of this report on course release policy, contributing some paragraphs to the proposal for a new writing studies concentration, reading a few dissertation chapters for Zoom meetings, etc. etc. I'm undecided whether to take the week of May 18 as spa week or use it to get set up for summer writing mode, but I suspect the latter - I shouldn't totally overdo it on yoga, quarantine invites overuse injuries and that is the last thing I need! (But I could do a lot of RESTORATIVE yoga....)
The plan for today:
7am Zoom with E., my Clarissa student in Korea
7:45am 40 minutes as 1:1 jog-walk in the park
9am Zoom Heidi's fascial flow yoga from Cayman!
9am-noon window for FreshDirect delivery of the groceries that didn't arrive on Saturday
4pm Zoom with K, my MA-essay advisee in Seattle
And best of all one of the novels that popped up overnight on my Kindle was the new Murderbot novel! If you don't know this series, you should check it out (here's the whole canon so far): they are funny and delightful and voice-driven in exactly the way I most like.
Showing posts with label schedules. Show all posts
Showing posts with label schedules. Show all posts
Tuesday, May 05, 2020
Thursday, December 13, 2012
Jury duty
Am very depressed to say that I am an alternate on a jury, and that the trial may run into early January. So glum about it that I almost burst into tears on the street outside the courthouse when they let us go around 1 this afternoon with a call for tomorrow morning!
My faint hope that they will send us home tomorrow after all does not have much basis in reality, but I will wait till the end of the day tomorrow to reschedule my work obligations for next week - it's all stuff like dissertation chapter conferences that can be reconfigured as evening one-on-one meetings if necessary.
Am going to do some meditation now in the hope that it may assist me to greet this turn of events with greater equanimity than I have mustered thus far....
My faint hope that they will send us home tomorrow after all does not have much basis in reality, but I will wait till the end of the day tomorrow to reschedule my work obligations for next week - it's all stuff like dissertation chapter conferences that can be reconfigured as evening one-on-one meetings if necessary.
Am going to do some meditation now in the hope that it may assist me to greet this turn of events with greater equanimity than I have mustered thus far....
Sunday, December 19, 2010
Production of quota
c. 1000 words, for a total of 16,209 words.
I am having two problems with this book, or rather two different aspects of a single problem strike me as I proceed through these early stages of writing: first of all, it is easier for me to write scenes in which people describe or imagine the games they are creating as opposed to scenes in which the games are actually played, leading to a fairly 'talky' effect; second, I am still a little vague as to what other elements will be included aside from game-playing, so that I really more generally need to find more ways of getting the characters out of living rooms and conversations and actually doing things!
(I think that tomorrow the main 'viewpoint' character will go to a yoga class...)
However I also believe it will be wise to continue with the straightforward production-of-quota method rather than stopping to reevaluate; it is much easier to revise an existing draft than to pull things out of the ether, and I need to get as much of this book down on paper as possible before school starts after the MLK holiday in January.
I was happy to find out that the essay on Restoration theater and the novel is not in fact due till the end of February, which makes me hopeful that I might be able to continue on a more-or-less daily quota basis all the way through until the middle of February or the existence of a full draft, whichever comes sooner.
(It will be more difficult once I'm teaching again, but not, I think, impossible. It is true, though, that one needs to be sensible about how many different quota-type obligations one can appropriately assume; certain exercise goals, for instance, have a bit of the same flavor.)
So: quota-writing through to the point of having as complete a draft of BOMH as possible, and in the meantime, once I'm back in New York, I will embark on the necessary syllabus-tweaking and on the reading and research for the theater-and-the-novel essay; mid-February drafting of that essay, to send out before the end of the month; then a revision of the little book on style, which shouldn't take too long but will need my full attention for a couple successive marathon writing and editing weekends.
I have a lovely vacation scheduled to take place over spring break in mid-March (a tour of various wildlife sites in Costa Rica), so if I can get all these things done by then it would really and truly feel like a justified reward; and then when I get back from Costa Rica, it's buckling down for the end of the semester and also the start of a thirteen-week Ironman training plan.
I am registered for a new race for 2011 to replace the one I had to cancel this year; I have been very doubtful as to whether it would be something I could realistically execute, but now I am feeling more myself and it seems possible, indeed something worth striving for. It is Ironman Coeur d'Alene, and it takes place on June 26, 2011.
This has been a hard year for me, partly simply because of getting so much less done than I had imagined/hoped; but it might be that it will be the end of next summer and I will have both the style book and the Bacchae novel finished and accepted for publication, and an Ironman race under my belt: I am at any rate keeping this in mind as a clear goal to shoot for. It is foolish to judge oneself on the basis of accomplishments, very often they are by no means a productive measure for self-evaluation, but it is still a difficult mindset for someone like me to get out of...
I am having two problems with this book, or rather two different aspects of a single problem strike me as I proceed through these early stages of writing: first of all, it is easier for me to write scenes in which people describe or imagine the games they are creating as opposed to scenes in which the games are actually played, leading to a fairly 'talky' effect; second, I am still a little vague as to what other elements will be included aside from game-playing, so that I really more generally need to find more ways of getting the characters out of living rooms and conversations and actually doing things!
(I think that tomorrow the main 'viewpoint' character will go to a yoga class...)
However I also believe it will be wise to continue with the straightforward production-of-quota method rather than stopping to reevaluate; it is much easier to revise an existing draft than to pull things out of the ether, and I need to get as much of this book down on paper as possible before school starts after the MLK holiday in January.
I was happy to find out that the essay on Restoration theater and the novel is not in fact due till the end of February, which makes me hopeful that I might be able to continue on a more-or-less daily quota basis all the way through until the middle of February or the existence of a full draft, whichever comes sooner.
(It will be more difficult once I'm teaching again, but not, I think, impossible. It is true, though, that one needs to be sensible about how many different quota-type obligations one can appropriately assume; certain exercise goals, for instance, have a bit of the same flavor.)
So: quota-writing through to the point of having as complete a draft of BOMH as possible, and in the meantime, once I'm back in New York, I will embark on the necessary syllabus-tweaking and on the reading and research for the theater-and-the-novel essay; mid-February drafting of that essay, to send out before the end of the month; then a revision of the little book on style, which shouldn't take too long but will need my full attention for a couple successive marathon writing and editing weekends.
I have a lovely vacation scheduled to take place over spring break in mid-March (a tour of various wildlife sites in Costa Rica), so if I can get all these things done by then it would really and truly feel like a justified reward; and then when I get back from Costa Rica, it's buckling down for the end of the semester and also the start of a thirteen-week Ironman training plan.
I am registered for a new race for 2011 to replace the one I had to cancel this year; I have been very doubtful as to whether it would be something I could realistically execute, but now I am feeling more myself and it seems possible, indeed something worth striving for. It is Ironman Coeur d'Alene, and it takes place on June 26, 2011.
This has been a hard year for me, partly simply because of getting so much less done than I had imagined/hoped; but it might be that it will be the end of next summer and I will have both the style book and the Bacchae novel finished and accepted for publication, and an Ironman race under my belt: I am at any rate keeping this in mind as a clear goal to shoot for. It is foolish to judge oneself on the basis of accomplishments, very often they are by no means a productive measure for self-evaluation, but it is still a difficult mindset for someone like me to get out of...
Monday, August 09, 2010
Monday round-up
Ghosts of the Leningrad siege (via my father).
Bits and pieces of light reading: Richard Kadrey's Sandman Slim, a recommendation from Brent that I enjoyed quite a bit (I've read other books rather like it - it is along Dresden Files lines - also we are in the thick of an angel-demon zeitgeist, and I was struck by similarities to the TV series Supernatural - but it is really appealingly well-written, with a fresh and lively and distinctive first-person voice); and Tom Rob Smith's Child 44, which seems to me flawed in various respects but so energetic and interesting and engaging that I was willing to forgive various implausibilities and awkward handlings of narrative point of view.
I got a good haul of books on Saturday at the Hobbies & Books store in Grand Harbour, which is unfortunately closing - but all books were discounted 30%, with an additional free fourth book for every three purchased. A few of the ones I walked away with are true local curiosities, which I will perhaps post about anon...
I'm looking at a funny situation vis-a-vis work. I'm very tempted to plunge straight into drafting the new novel, but have decided it is impractical and that it will be better for me to leave it on the boil for a little while and come back to it later in the fall. I'll be in Ottawa for ten days or so in September, and then I'll be in New York for about four weeks in October, with side trips to Maine (for a friend's wedding) and Buffalo (for a conference).
The talk for NEASECS will be a preview of the ABCs of the novel project in the form of an argument about Laurence Sterne and novelistic conventions for the transcription of human movement and expression, and I'm also giving a talk earlier that month at the Fordham 18th-century seminar on Richardson's Clarissa; so that's two high-quality talks to write.
I also have two tenure letters to write this month, the first ones I have done (I turned down a few before I had tenure and I also turned down one or two in the first year I had tenure, but at this point I really have no good reason to say no, it is an important part of service to the profession); so I think that really my goal for the rest of the month is to write those two letters and get to work on Sterne and Richardson so that when I leave for Ottawa I at least have something down on paper in the way of draft. I may only have a week or so in Cayman between the return from Ottawa and the departure for New York, and it will be foolish to count on getting a lot of work done then; and my notion for the work I'll do during the New York weeks, aside from school catch-up stuff and the seasonal flood of letters of recommendation, is that it will be a good time to give the style book a wholesale going-over...
Bits and pieces of light reading: Richard Kadrey's Sandman Slim, a recommendation from Brent that I enjoyed quite a bit (I've read other books rather like it - it is along Dresden Files lines - also we are in the thick of an angel-demon zeitgeist, and I was struck by similarities to the TV series Supernatural - but it is really appealingly well-written, with a fresh and lively and distinctive first-person voice); and Tom Rob Smith's Child 44, which seems to me flawed in various respects but so energetic and interesting and engaging that I was willing to forgive various implausibilities and awkward handlings of narrative point of view.
I got a good haul of books on Saturday at the Hobbies & Books store in Grand Harbour, which is unfortunately closing - but all books were discounted 30%, with an additional free fourth book for every three purchased. A few of the ones I walked away with are true local curiosities, which I will perhaps post about anon...
I'm looking at a funny situation vis-a-vis work. I'm very tempted to plunge straight into drafting the new novel, but have decided it is impractical and that it will be better for me to leave it on the boil for a little while and come back to it later in the fall. I'll be in Ottawa for ten days or so in September, and then I'll be in New York for about four weeks in October, with side trips to Maine (for a friend's wedding) and Buffalo (for a conference).
The talk for NEASECS will be a preview of the ABCs of the novel project in the form of an argument about Laurence Sterne and novelistic conventions for the transcription of human movement and expression, and I'm also giving a talk earlier that month at the Fordham 18th-century seminar on Richardson's Clarissa; so that's two high-quality talks to write.
I also have two tenure letters to write this month, the first ones I have done (I turned down a few before I had tenure and I also turned down one or two in the first year I had tenure, but at this point I really have no good reason to say no, it is an important part of service to the profession); so I think that really my goal for the rest of the month is to write those two letters and get to work on Sterne and Richardson so that when I leave for Ottawa I at least have something down on paper in the way of draft. I may only have a week or so in Cayman between the return from Ottawa and the departure for New York, and it will be foolish to count on getting a lot of work done then; and my notion for the work I'll do during the New York weeks, aside from school catch-up stuff and the seasonal flood of letters of recommendation, is that it will be a good time to give the style book a wholesale going-over...
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