Here's the new version of the rest of the semester. I've cut a few things altogether (Nadar's memoir! Benjamin on photography!) and given a bare-minimum option for those whose concentration is failing them. In going through my old class notes and the pages of the Arcades Project, I kind of fell in love with it all over again....
p.s. I think I got the idea of three different levels from the way you show poses as a progression in a yoga class!
Revised syllabus (spring 2020)
3/30 Option 1:
Decline and Fall 1:446, 1:471-74, 1:518-21, 1:524, 1:576-81
Pocock, “Gibbon and the primitive church,” 50-53, 66-68
Pocock, “Putney, Oxford and the question of English Enlightenment,” 44-46
Option 2:
Option 1 + all of chapter XVI
Option 3: original reading
Decline and Fall chapters XIV-XVI (vol. 1)
*J.G.A. Pocock, “Gibbon and the primitive church,” in History, Religion, and Culture: British Intellectual History 1750-1950, ed. Stefan Collini, Richard Whatmore and Brian Young (Cambridge: Cambridge University Press, 2000), 48-68
*Pocock, “Putney, Oxford and the question of English Enlightenment,” in Barbarism and Religion, vol. 1: The Enlightenments of Edward Gibbon, 1737-1764 (Cambridge: Cambridge University Press, 1999), 13-49
*David Womersley, “Gibbon and the ‘Watchmen of the Holy City’: Revision and Religion in the Decline and Fall,” from Edward Gibbon and Empire, ed. Rosamond McKitterick and Roland Quinault (Cambridge and New York: Cambridge University Press, 1997),190-216
*B. W. Young, “Gibbon, Newman, and the Religious Accuracy of the Historian,” from The Victorian Eighteenth Century: An Intellectual History (Oxford and New York: Oxford University Press, 2007), 70-102
4/6 Arcades: an introduction
Option 1:
Benjamin, “Paris, the Capital of the Nineteenth Century,” 13
Convolute C: epigraph through C6 (82-83), C4 (90-91), C6a,2 + C7,1 (95), 9a,2 (100)
Sieburth, “Benjamin the Scrivener,” 7-11
Johnson, “Passage Work,” 82-84
Option 2:
Option 1 + all of “Paris, the Capital…” and Sieburth
Option 3: original reading
Benjamin, “Paris, the Capital of the Nineteenth Century” (1935) (AP 2-13)
Convolutes A, C and P: “Arcades, Magasins de Nouveautés, Sales Clerks” (AP 31-61), “Ancient Paris, Catacombs, Demolitions, Decline of Paris” (AP 82-100), “The Streets of Paris” (AP 516-526)
*Richard Sieburth, “Benjamin the Scrivener,” Assemblage 6 (1988): 6-23
*Barbara Johnson, “Passage Work,” in Walter Benjamin and The Arcades Project, ed. Beatrice Hanssen (London and New York: Continuum, 2006), 66-86
*“Encounters,” from Peter Buse, Ken Hirschkop, Scott McCracken and Bertrand Taithe, Benjamin’s Arcades: An unGuided tour (Manchester and New York: Manchester University Press, 2005), 1-12
4/13 Baudelaire I
Option 1:
Convolute J: J1,5 (230), J3,2 (233), J3a,1 (234), J41,3 (302), J44,3 (308), J51a,5 (321), J55a,5 (329), facing pages 332-33
Baudelaire, “The Sun”/Le Soleil,” “The Swan”/“Le Cygne”
Option 2:
Option 1 + further reading in Convolute J
Option 3: original reading
Convolute J: “Baudelaire” (228-386)
Baudelaire, “The Painter of Modern Life”
*T. J. Clark, “Should Benjamin Have Read Marx?,” boundary 2 30:1 (2003): 31-49
*Max Pensky, “Tactics of Remembrance: Proust, Surrealism, and the Origin of the Passagenwerk,” in Walter Benjamin and the Demands of History, 164-189
4/20 Baudelaire II
Option 1:
The four spleen poems
Benjamin, “On Some Motifs in Baudelaire,” 182-85
Edgar Allan Poe, “The Man of the Crowd”
Option 2:
Option 1 + Haroutunian 62-67 (not on original syllabus)
Option 3: original reading
*Benjamin, “On Some Motifs in Baudelaire,” from Illuminations (155-200)
Selections from The Flowers of Evil: “To the Reader”/“Au lecteur,” “Correspondences”/“Correspondances,” “A Former Life”/“La vie antérieure,” “The Ideal”/“L’Idéal,” “‘I love you as I love . . .’”/ “‘Je t’adore à l’égal,” “Spleen” 1-IV, “The Taste for Nothingness”/“Le Goût du néant,” “The Sun”/“Le Soleil,” “The Swan”/“Le Cygne,” “To a Woman Passing By”/“A une passante,” “Gaming”/“Le Jeu,” “Meditation”/“Recueillement”
4/27 Baudelaire III
Option 1:
Convolute M: M3a,4 (423), M5,6 (427), M13a,2 (442), M16,3 (446), facing pages 447-48
Convolute m: m2,1 (801-2)
Buck-Morss, “The Flâneur,” 33-43
Option 2:
Add full Buck-Morss
Option 3: original reading
Convolutes M, m: “The Flâneur” (AP 416-455), “Idleness” (AP 800-806)
*Susan Buck-Morss, “The Flâneur, the Sandwichman and the Whore: The Politics of Loitering,” in Walter Benjamin and The Arcades Project, 33-65
*Françoise Meltzer, “Money (La chambre double)” (selections), from Seeing Double: Baudelaire’s Modernity (Chicago and London: University of Chicago Press, 2011), 138-180
5/4 Knowledge, Progress, History
Option 1:
“Theses on the Philosophy of History”: IX (257), XIV (261), XVII (263)
Convolute N: N1,3 (456), N1,10 (458), N1a,8 + N2,1 (460), N3,4 (463), N4,2 + 4,3 (464), N7a,7 (470), N9,6 + N9,8 (473), N9a,6 (474), N10,3 (476), N15,2 (481), N19,2 (487)
Rolleston, “The Politics of Quotation,” 13-17
Arnaldo Momigliano, “Historicism Revisited,” in Essays in Ancient and Modern Historiography (Chicago: University of Chicago Press, 2012), 365-73
Option 2:
Option 1 + all of Convolute N and the “Theses”
Option 3: original reading
Convolute N: “On the Theory of Knowledge, Theory of Progress” (AP 456-488)
*Benjamin, “Theses on the Philosophy of History,” Illuminations (253-64)
*Letter from W. Benjamin to G. Adorno
*James L. Rolleston, “The Politics of Quotation: Walter Benjamin’s Arcades Project,” PMLA 104:1 (Jan. 1989): 13-27
*Stathis Gourgouris, “The Dream-Reality of the Ruin,” in Walter Benjamin and The Arcades Project, 201-24
*“The Angel of History,” from Benjamin’s Arcades: An unGuided tour, 95-104
*Arnaldo Momigliano, “Historicism Revisited,” in Essays in Ancient and Modern Historiography (Chicago: University of Chicago Press, 2012), 365-73
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